Pacific Peoples' Partnership

Connecting Indigenous and Pacific Peoples

  • About
    • About Us
    • History
    • Approach
    • Meet the Team
    • Board of Directors
    • Supporters
  • Programs
    • International Programs
      • Pacific Resilience Fund
      • Our Work in West Papua
      • Women and Children Crisis Centre Tonga
      • Vendor’s Collective Voice (PNG)
    • Domestic Programs
      • Stories of Resilience
      • RedTide Indigenous Youth Climate Connect
  • Events
    • Paddle 4 Pacific
    • A Pacific Healing Circle
    • Together / As One Film Festival
    • RedTide Indigenous Youth Climate Connect
    • One Wave Gathering 2020
    • One Wave Gathering 2021
    • PPP’s 46th Annual General Meeting
  • Resources
    • Pacific Resource Centre
    • Pacific Region Info
    • Good Allyship Guiding Values
    • Educational Opportunities
    • Tok Blong Pasifik Journal
    • Video Gallery
  • Get Involved
    • Partnerships
    • Membership
    • Work With Us
    • Volunteer
  • News
    • Our Blog
    • Pasifik Currents E-Newsletter
    • Social Media
  • Contact Us
  • Donate Now

Samoa takes on the world – Go Samoa!

May 30, 2019 by April Ingham

Samoa takes on the world – Go Samoa!

By Mua (Muavae) Va’a, President, Pacific Peoples’ Partnership

From the time I was a small boy growing up in Lotopu’e, a village in Samoa, I played rugby.  Everybody did. We played in school even when we didn’t have the equipment. Back then, Samoa was a powerhouse in the sport and we idolized our national sport.  I continued to play after I moved to Canada in 1991. I taught my sons the game and one of my greatest memories is playing on the same team as my older son. He was 16 at the time; I was 43 and about to hang up my cleats.   He went on to play on the Canadian Under-20’s team, and played for the BC Bear in the national championship in 2017 where they took gold and still plays at the premiere level locally. My younger son came thru the cross root level rugby and had a chance to represent BC in the national championship from U-14 all the way up to the U-18. It’s been a joy to pass on our national sport to them.

The Samoan Canadian community brings out their Samoa flags.

Even when I was playing, I became involved in coaching.  I have coached club Jr teams, high school, regional and some for the provincial junior teams. Few years ago I had the privilege to be liaison member of rugby Canada for the Samoan national 15 team; it was a great experience. So, of course, I was there for the 2019 International 7’s tournament at BC Place Stadium in Vancouver. It’s a special time.  The tournament takes place over two days, a Saturday and Sunday.  This year BC Place was full on Sunday. I was there along with 55,000 screaming fans cheering for their favourite teams.  It was an experience that was hard to forget especially with our home island team on the field playing their hearts out for our country.  

Our neighbour island team, Fiji, was also on the field; it was great to see so many of their fans joining the fun.  Samoa and Fiji, the two smallest countries in the tournament, represent the South Pacific very well.  And, of course, their die-hard fans weren’t hard to spot in the stadium as the teams battled with teams from Canada, France, England, the United States and other much larger countries. Despite the difference in size of our countries, we stand up very well with these larger teams.  Fiji came in 3rd and Samoa 5th in the annual 16-nation tournament.

Mua Va’a with famous Canadian Rugby 7s player, John Moonlight, at BC Place Stadium.

The pride we feel in our team is strong.  Seeing them in action tugs at our heartstrings and reminds us of home.  With that connection, it’s natural for the Samoan community to want to be involved when the Samoan Rugby 7’s come to Canada.  They’ve come every year for the past four years and join fifteen other teams in the tournament. And every year the Samoan community of British Columbia hosts a dinner for our national team.   

There aren’t very many of us in BC, only about fifteen families, but the tournament gives us an opportunity to renew friendships and learn about family members at home.  We feel it is important to extend a welcome to the players when they are so far from home.  This year’s event was held at the home of a member of the community in Vancouver. It was so nice to see our community come together for a time of fellowship, sharing our appreciation for the team that represents our homeland.  This year the evening was filled with celebration, a dinner – including Samoan traditional foods – and music. The community took up a collection and a financial gift was presented to the players along with t-shirts and chocolates to take home to their families.  All in all, it was a great evening of fellowship and the opportunity to honour our Samoan rugby athletes. 

I had a chance to sit down with two members of the team to ask them about their experience.  I can’t identify them because they are under contract and can’t speak for the team, but they could speak from their hearts about being on the Samoan national team and playing in the tournament.  One said, “It means the world to me. A chance to represent my family, my village and my country. I’ve always dreamed of one day representing my country in the world arena and now that dream has come true.”  The second player, echoing the first about representing family and country, added that it was a great chance to gain experience at the international level.

The Samoan community demonstrates plenty of enthusiasm when the home team comes to town.

Both players said they hoped that playing in the international tournament might lead to professional contracts.  A contract would help their families at home.

It was only a brief conversation, but I was able to tell them how proud I was of them and the rest of the team.  It was a joy to see them playing hard for our country. And I told them I look forward to seeing them again when the team comes back to Canada for the next tournament.

Filed Under: Arts & Culture, South Pacific Tagged With: Rugby, Samoa, Sport

Pasifik Current News – May 2019 Edition PPP Updates!

May 30, 2019 by April Ingham

Aloha, Friends!

Recently Mua (Muavae) Va’a President of PPP and I went to an inspiring talk organized by our partners at CIRCLE that featured Dr. Noenoe Silva & Dr. Noelani Goodyear-Ka’opua.  Both women are highly respected Hawaiian scholars and were presenting on the efforts of several Hawaiian women, all heroes who fought to keep their languages, cultures, teachings and lands intact for the generations to come.

PPP Board President Mua Va’a, April Ingham (ED – PPP), along with Lisa Kahaleole Hall (Program Director, Indigenous Studies at UVic), Dr. Noenoe Silva, CIRCLE Director & PPP Board Member Jeff Corntassel, and Dr. Noelani Goodyear-Ka’opua.

Noelani was reading from a book she edited entitled Nā Wāhine Koa: Hawaiian Women for Sovereignty and Demilitarization about four of these women.  Following the presentation, an audience member asked about the effects of tourism on the Polynesian peoples within Hawaii. This led to a spirited discussion around greed and globalization.  The question: well, what can we do about this… was beautifully addressed by a quote Noelani shared from this book:  

“We gotta fight.  Why do we have to fight every bloody day?  Every fricken day, we need to fight and fight and fight, just to keep our place in this world today.  I see this, and then I look at our children. They’re so far away from us. Their culture, their thinking, their attitudes. We got to fight.” — Maxine Kahaulelio.

This past few months have been ones of much reflection and celebration on the power of women and the importance of solidarity to hold up these courageous warriors, fierce mothers, peace makers, and all who strive to make a difference in their families and world.  Pacific Peoples Partnership (PPP) has been honoured to host several programs this spring featuring such women changemakers.   

Baby turtle works of art made from fishing net marine debris.

For International Women’s Day this past March, PPP hosted a luncheon, Artist talk and mini-workshop featuring visiting Australian Erub Arts Group Artist Florence Gutchen (Torres Strait) and Australian Arts Administrator Lynette Griffiths.  It was incredible to spend time with them both and learn about how this women’s collective transforms fishing net marine debris that litters their shorelines, into works of art that portray ocean creatures, while educating about the impacts of global consumerism, food security and our collective waste.  It was an immersive experience to learn from them as I created my very own sea turtle from fishing nets, some of which were collected off our northern Pacific coastlines.  Please visit a full background article on the art initiative of the Erub Arts Group from our March 2019 issue of Pasifik Currents.

PPP is truly fortunate to be working in support of women in Papua New Guinea who work in the informal markets within the project Vendors Collective Voice.  Our lead partner for the project implementation is HELP-Resources, they are now fully engaged in year two of the three-year Commonwealth Foundation funded program recently reported in our winter edition article titled: “HELP Resources and Pacific Peoples’ Partnership Collaborate to Strengthen Sepik Women Market and Street Vendors’ Collective Voice in Shaping Informal Economy Development.”  We are pleased that our long-time respected partner and project technical adviser Elizabeth (Sabet) Cox, has officially joined the team as an Australian-sponsored volunteer to provide capacity support for the HELP-Resources Team.  The growing team (as noted in the Peoples & Passages section) will develop training opportunities, tool kits, and resources to support the women market vendors as they advocate for more just market conditions.   In addition, we are preparing to expand the program vision as it is our hope to build upon this program to ensure its sustainability and success well into the future for the benefit of the Sepik women and their families.

Longhouse Dialogues pre-project site visit to Vancouver’s Harbour Green Park with Joleen Timko (Project Manager), April Ingham (PPP ED), Artist Hjalmer Wenstob, Squamish Nation Councillor Deborah Baker and Tsleil-Waututh Nation Chief Leah George-Wilson, Missing is Musqueam Councillor Wendy John-Grant.  Photo by Mana Saza

Last but certainly not least, within a week 7000+ women from around the world will be descending upon Vancouver for the Women Deliver international conference from June 3-6, 2019.  PPP is excited to announce that along with our key partner the BC Council for International Cooperation and Mobilization Canada, we have received the permission of the Squamish Nation, Musqueam Nation and Tsleil-Waututh Nation to install four temporary Longhouses from our 2017 award winning public program within their shared traditional territories.  

The Longhouses will be installed together once again as a village to honour women and provide community-accessible hospitality and dialogue space within Harbour Green Park, which is a short 5 minutes walk from Canada Place – the main event venue for the Conference.  Check out the Longhouse Dialogues if you are in Vancouver, as the Longhouses will be installed from May 31 – June 5.  Help us welcome the world’s women!

Hope to see you there!

April Ingham, Executive Director

Pacific Peoples’ Partnership

Longhouse facade by Hjalmer Wenstob (Nuu-chah-nulth) and graphic by Juliana Speier (Kwakwaka’wakw).

PPP needs your support!  During the month of June, we will be running a special fundraising campaign called the Great Canadian Giving Challenge.  Every single dollar donated through our Canada Helps donation portal, will qualify PPP for one entry into a draw for $10,000 towards our work.  Please consider donating this June in support of our work! 

Filed Under: Arts & Culture, First Nations, Justice & Equality, Knowledge Exchange, South Pacific Tagged With: Erub Arts, Longhouse Dialogues, Women Deliver

Unravelling Ghost Nets, Making Torres Strait Connections

March 6, 2019 by April Ingham

By Carol E. Mayer, PPP Board Member

From February 24 to March 16, 2019, ghost nets are the centre of attention at the UBC Museum of Anthropology (MOA) in Vancouver, British Columbia. This is when MOA is hosting Lynnette Griffiths and Florence Gutchen, two artists from the Island of Erub (Darnley), located in the Torres Strait between the northmost tip of continental Australia and the island of New Guinea. The Ghost Net exhibition will become a permanent MOA exhibition.

Carol with ghost net artists at the Erub Arts Centre, May 2018. Credit: Lynnette Griffiths

I first met Lynnette and Florence in May 2018 when I visited Erub to document the creation of Eip Kor Korr, a sculpture made of synthetic fishing nets. They and the other artists asked me why I travelled so far to see what they were doing. I told them the reason really goes back 15 years earlier, when I came to Erub to attend what was meant to be the celebrations for a successful Native title claim—a legal milestone that would have seen Native title recognized over all the outer community islands in the Torres Strait. However, at the eleventh hour the Australian Federal Court withdrew consent, leaving the islanders with nothing to celebrate.

On Erub, disappointment was replaced with the decision to go ahead and celebrate their traditional ownership of the Island despite the court proceedings being abandoned. I was privileged to witness and film the day-long event. A commemorative t-shirt had been made for the occasion; it is now on display at MOA. I left with a lasting memory of the islanders’ determined effort to turn a negative situation into a positive one. Indeed, Native title was granted two years later.

Now I journeyed back to Erub to witness this same determination as the islanders once again came together to turn a challenge into a victory. This time the challenge came from the sea. North Australia is one of the last remaining safe havens for endangered marine species. Marine turtles are especially vulnerable to entanglement in “ghost nets”: fishing nets that have been lost at sea, abandoned, or discarded when they become damaged. When these nets float on ocean currents they invisibly and silently entangle marine wildlife—hence the name “ghost.” Between 2005 and 2015, up to 10,000 turtles became entangled in such nets.

Eip Kor Korr being constructed by Racy Oui-Pitt, Florence Gutchen, Ethel Charlie and Ellarose Savage. Credit: Lynnette Griffiths

For Erub islanders, turtles are a traditional source of food and an integral part of their belief system and culture. The islanders began to gather these nets from the reefs and beaches, often with dead animals still entangled in the webbing, and started to take them apart to see whether they could be used for crafts. They discovered the multi-coloured strands that run through the centre of the ropes and began using them to weave figures of small animals. They then simply decided to go big, creating full-scale figures of turtles and other large sea creatures. These sculptures soon caught the attention of the Australian Museum in Sydney, and one was commissioned for the collection. The rest is history. Today, these ghost-net sculptures are part of a worldwide movement, in which the artists of Erub work with local and international museums to create powerful installations that oscillate between art and the living environment.

I encountered ghost-net sculptures for the first time in 2017, where they were installed in the exhibition Ghost Nets of the Ocean at the Ethnography Museum in Geneva, Switzerland. I was struck by the similarity of these powerful sculptures and the Native title t-shirt collected so many years before: both reflected the tenaciousness of a community in deploying its collective creativity to bring attention to outside challenges, whether political or environmental. The relevance of the ghost-net sculptures to MOA was emphasized for me by our commitment to exhibit contemporary art that speaks to similar challenges here in British Columbia and elsewhere in the world. With monies from MOA’s O’Brian Strategic Acquisitions Fund, we were able to purchase a hammerhead shark sculpture and to commission a giant turtle. I journeyed to Erub in May 2018 to document the making of our turtle and to talk with the islanders about the impact of the ghost nets on cultural life.

Jimmy J. Thaiday and Jimmy K Thaiday carry hammer head ghost net shark along an Erub beach. It is now on display at MOA. Credit: Carol Mayer

I arrived at the Erub Arts Centre, where the artists work, to see hundreds of metres of fishing nets strewn everywhere, all waiting to be unravelled and transformed into works of art. On the table in the studio the metal framework for MOA’s turtle had been welded together by Jimmy K. Thaiday in readiness for the women to start their work. During my time I saw the shell, flippers, underbelly, and finally the head take shape. I also met Lorenzo Ketchell, the designer of the t-shirt.

About halfway through the process, the decision was made that MOA’s turtle would be a middle-sized female specimen—a teenager—and her Erub name would be Eip Kor Korr. There was no question of her travelling home with me, though, as she first had another journey to make. She was wrapped, crated, and shipped to Cairns where she was exhibited alongside other ghost-net sculptures at the Cairns Indigenous Art Fair. She was then re-crated and flown more than 7,000 miles/11,000 kilometers to Vancouver, where she was unpacked at MOA in readiness for her installation in the Multiversity Galleries opposite the Erub t-shirt I collected so long ago.

Today Eip Kor Korr swims above museum visitors’ heads alongside the hammerhead shark, where she is, as Florence says, “a beautiful piece of art declaring the message that we must keep the water clean: we look after the sea and the sea looks after us.”

Florence Gutchen creating Eip Kor Korr’s flipper. Credit: Carol Mayer

Lynnette’s and Florence’s MOA residency is funded by the Andrew Fellowship, which also funded the 2006 MOA residency of Teddy Balangu from Palembei, Sepik River, Papua New Guinea. Since then, MOA and the Pacific Peoples Partnership (PPP) have worked with Teddy and others to raise global awareness about impending mining activities at the headlands of the river, and in 2017 co-hosted the visit of three artists: Claytus Yambon, Nancy Wani, and Edward Dumoi. During this visit the artists, PPP, and Elaine Monds (Alcheringa Gallery) gave presentations at an international symposium being held at UBC. These events, and more, point to the depth of commitment PPP has shown to Indigenous rights, especially as they pertain to the cultural and environmental damage caused by resource extraction, overfishing and the abandonment of fishing gear that has trapped and killed innumerable marine species, bringing many to the brink of extinction.

During their time in British Columbia, Lynnette and Florence will be giving public workshops at MOA, Musqueam Reserve, and schools in the Vancouver area. They will also be meeting representatives from Global Ghost Gear Initiative Secretariat and the Vancouver Aquarium, and will then travel to Vancouver Island as guests of PPP. There, they will participate in a video about their experiences, plus visit Alcheringa Gallery and the Royal British Columbia Museum. They will also host a public program organised by PPP. For this, they are bringing the frame of a large barracuda so that workshop participants can “dress” it with scales they create from fishing nets.

Underscoring its global relevance, this project was started in Geneva; it will continue in British Columbia and then be taken to England, carrying with it the ethos of collaborating across continents and countries. At the same time, the project will deliver new skills and create an opportunity for people to talk, discuss, and share. Both MOA and PPP consider themselves fortunate to work alongside such powerful advocates. We welcome the prospect of creating relationships that will reach into the future.

Carol welcomes Eip Kor Korr tot MOA. Credit: Nancy Bruegmann

Carol E. Mayer is the head of the curatorial and interpretation department at the Museum of Anthropology and an associate to UBC’s Department of Anthropology. In 2006 she began a long association with Alcheringa Gallery when she travelled with Elaine Monds to the Sepik River. Soon after that she joined the Board of the Pacific Peoples Partnership. Her research interests include the history of Pacific Islands collections in Canada, the exploration of intellectual property rights, and the building of collaborative networks between the Pacific and the Pacific Northwest. In 2013 she organised the PAA International Symposium in Vancouver, Canada, and curated the exhibition and authored the publication Paradise Lost? Contemporary Arts of the Pacific. She also co-authored (with Anna Naupa and Vanessa Warri) the book No Longer Captives of the Past: The Story of a Reconciliation Ceremony on Erromango. Her recent exhibition and publication, In the Footprint of the Crocodile Man, opened in March 2016. She has been granted numerous awards, including from the Canadian Museums Association and the International Council of Museums. She has also received the President’s Medal of Excellence and the Independence Medal from the Republic of Vanuatu.

 

Filed Under: Arts & Culture, Climate Change, Gender and Women, Knowledge Exchange, South Pacific Tagged With: art, oceans, waste

Living in Tune with the Ocean – Vaka Taumako Project Strengthens Solomon Islands Traditions

March 6, 2019 by April Ingham

By Alison Gardner, Editor, Pasifik Currents

All images © to Vaka Taumako Project

“In the far western Pacific Ocean on the eastern edge of the Solomon Islands, Polynesian Voyaging is alive,” opens the engaging six-minute trailer on the Vaka Taumako Project website. “These vaka or voyaging canoes are built by hand using sustainable local materials, ancient tools and design knowledge, and uncommon craftsmanship by young and old.”

Traditional Taumako voyaging canoe.  Credit: Wade Fairley

Therein lies the mission of the project to revive something nearly lost. The Vaka Valo Association is the name of the Taumako charitable organization that runs this project. “Very appropriately,” says Dr. Marianne (Mimi) George, a Hawaii-based anthropologist who studies Pacific wayfinding cultures and one of the guiding forces documenting this initiative, “Valo means something like healing or growing or improving through customary ways. Maybe ‘rising up of customary life-unity’ would be a good translation.”

Transporting people and goods, these vessels are distinctive, complex, and designed to travel over long distances on the open ocean. An entire remote community is “rising up” to take a hand in reclaiming expert knowledge of traditional seamanship and star navigation before it is lost. People who know these techniques can use them to find their way even if modern navigational equipment fails them.

As community elders pass away, they ask who will guide them? Today these last living navigators reject modern instruments. Instead they call for a revival of natural navigation, teaching a new generation to use the methods of their ancestors to follow ancient sea roads to a more culturally-rich and sustainable future.

Paramount Chief and Master Navigator Koloso Kavela started the Vaka Taumako Project with this vision. Having spent much of his life sailing around the Solomon Islands, he had seen the disruptive effects of town life on people from small communities like Taumako. However, as part of his vision, he insisted that some young men and women of the community learn modern methods of documentation to share the natural phenomena such as weather patterns that could aid scientists, sailors and others outside Taumako. A remarkable three-part film is unfolding that is both inspiring and informative.

Dr Simon Salopuka is the lead director on the Vaka Taumako Project, and his story is an extraordinary one in its own right. He grew up on the volcanic island of Taumako with no electricity, phone, airstrip or harbour. At age 14 he left to further his education and didn’t return for 20 years. In the interim, he earned his medical degree in Papua New Guinea and worked at a hospital in the Solomon Islands capital, Honiara. He recalls, “I felt something was missing, something deep from my culture.”

Simon Salopuka and Mimi George. Credit: Monte Costa

When Dr. Salopuka got a call from the Paramount Chief, Koloso Kavela, asking him for help with a project to revive his village’s distinctive voyaging traditions, he knew it was time to go home. His dedication to the project is strong as he himself learns all he can about the traditional culture and skills that are his heritage.

The Taumako-style canoe is one where most of the hull rides under the water. The visible platform where you sit or stand rests on the whole canoe which is submerged. Sails are woven from pandanus leaves that “catch the wind like a tropic bird.” There is no tacking, commonly associated with sailing. The crew lifts the slim mast and carries the entire sail from one end of the vaka to the other, a procedure known as shunting.

“It is an amazing design,” says Dr. George, who paid her first visit to Taumako in 1993. “These canoes are smooth, with quick acceleration and they’re easy to steer on many points of sail. And what’s so fascinating is that you’re basically riding on a submarine with an outrigger. They are fast and stable and can carry a lot of weight.”

In the early 1900s, as many as 200 voyaging canoes were reported to be sailing the waters around Taumako. Tragically, in 1918 the Spanish flu pandemic decimated the island population leaving only 37 survivors including a young Koloso Kavela. Today the population is about 450. Though he passed away in 2009, it is truly encouraging to traditional cultures around the world that this Paramount Chief is achieving his vision to revive natural navigation, restore his community’s pride in their skills, and celebrate what is being achieved on film.

Everyone in the community gets involved, even young girls expertly weaving sails for voyaging canoes.

Partly to raise money to fund Parts 2 and 3 of this documentary and partly to raise wider awareness of this unique initiative, Part 1 of We, the Voyagers has been globetrotting in 2018 and early 2019.

“We have done over 20 test screenings of Part 1 with very diverse audiences, and we have received very enthusiastic responses,” says Dr. George, “so we are confident that the film connects well with crossover audiences. We have screened it in the National Museum of Solomon Islands, Guam and Fiji Indigenous cultural gatherings, UNESCO meetings in Korea and Solomon Islands, the National Tropical Botanical Gardens Educational Series on Kaua’i, various sailing and paddling clubs, university classes, anthropology conferences and museums in California, Oregon and Washington State. And, of course, we were delighted to screen it at Pacific Peoples’ Partnership’s One Wave Festival in Victoria in early September 2018. During February and March 2019, we will screen at cultural gatherings, museums, and universities in Aotearoa, and in coming months, we will apply to film festivals happening later in 2019 and in 2020.”

Meanwhile, the documentary team is making a roughcut of Part 2 for test screenings in March 2019. The hope is that funding, including individual private donations, will permit completion of all three parts of the film. Part 2 is about selecting crew members, their jobs, how the vaka performs at sea and the ancient navigation system. “We are also excited to capture on film what happens when a crew arrives at a distant island and re-establishes long lost contacts,” adds Dr. George.

Donations to support the project and film production may be made by PayPal or cheque on the Vaka Taumako website.

At PPP’s One Wave Gathering in September 2018, Vaka Taumako guests screened Part I of their documentary at MediaNet’s Flux Gallery in Victoria.

The Vaka Taumako team is returning to Victoria on March 24 and 25, looking forward to showing Part 2 to anyone connected with PPP who wants to see it. Please contact the PPP director, director@pacificpeoplespartnership.com for more information about when and where.

 

Alison Gardner is a professional travel journalist and travel magazine editor living in Victoria, B.C. She has been part of Pacific Peoples Partnership for 28 years, serving on the Board twice and volunteering in writing, editing and communications roles throughout that time. She is currently editor of Pasifik Currents e-newsletter. www.travelwithachallenge.com.

 

Filed Under: Arts & Culture, Climate Change, Knowledge Exchange, South Pacific Tagged With: Resurgence, Vaka

HELP Resources and Pacific Peoples’ Partnership Collaborate to Strengthen Sepik Women Market and Street Vendors’ Collective Voice in Shaping Informal Economy Development

March 6, 2019 by April Ingham

By Elizabeth (Sabet) Cox

In Papua New Guinea (PNG), even when you live on customary land and subsist largely on the natural food resources available in your rural village, you will need cash. Outside informal trade, there are few alternatives to finding the money needed to meet the most basic needs and to pay for children’s education, family health and the community contributions that sustain informal social protection systems. With a population of about 25,000, Wewak town has at least fifteen ‘markets’ and many more informal, street trading hubs of various sizes, operating under different regimes. Only one is managed by local government.

Vendors Collective Voice – Local vendor, Lilian Wanaki, offers handicrafts and jewellery for sale.  Photo: Elizabeth Cox

Every day, an estimated three to five thousand women are trading under challenging conditions. While some women vendors can build viable, small enterprises, most live precariously from day to day, on small incomes derived from informal trade and many have done so for decades. Many women vendors have grown up alongside their grandmothers and mothers who were informal traders and now they follow in their footsteps. Returning home at the end of the day ‘empty handed’ increases the probability of children being deprived of adequate food or education and of family stress, conflict and domestic violence.

It is almost 45 years since PNG achieved independence. The PNG constitution aimed to guide equitable, inclusive and sustainable development, but a succession of male politicians has built an economy based on large scale extractive industries – mining, petroleum, gas, logging and fisheries.  Extractive industry projects have undermined the livelihood of a rural majority and failed to generate national revenues that translate into effective service delivery to meet the basic needs of the citizens. Promises of free education and health care are failing, the isolation and neglect of the rural majority persists, and poverty deepens. Markets are the workplace of so many women, and an important source of food security and good nutrition for the general population. Women trading in PNG’s massive informal economy are the lifeline for their families, but without visibility, voice and influence, street traders and women market traders are powerless and oppressed.

 

Vendors Collective Voice – A young mother cradles her month-old baby while she trades.  Photo: Elizabeth Cox

In the main Wewak market, with the largest congregation of vendors, the urban Local Level Government (LLG) collects daily taxes (gate fees) from women vendors. Local government has very few other regular sources of revenue as too many of the town’s wealthier residents and local businesses default on council rate payments. It’s far easier to collect taxes from poor women market and street vendors, who are punished heavily if they default. Wewak’s main market has 1000-1500 women vendors’ daily – 96% are female. The fees and taxes paid by market vendors provide substantial daily revenue for LLG operation – a fact that is invisible and ignored by both local government and the general public. No one is able to trace where these market revenues go and how they are spent. But very little of the revenues collected is reinvested into market management, maintenance, cleaning or improvement of the working conditions, facilities or services to tax-paying vendors.

Currently, Wewak town market, like so many other municipal markets throughout Melanesia, is a profitable operation but is oppressive, exploitative, and extractive of women vendors’ hard-earned, small incomes. The vendors endure daily ‘working conditions’ that are unsafe, unhygienic, and discriminatory on the basis of gender, class and rural commuters or urban residents.

Rural vendors fill the unsheltered spaces at the town market.  Photo: Elizabeth Cox

Wewak’s many other smaller and scattered street markets and trading hubs operate in ad hoc and gender discriminatory ways, usually personally benefitting an opportunistic local landowner, local politician or businessman who insist vendors pay ‘informal taxes’, often using extreme bullying tactics. Without information and organisation, vendors are unable to protest or voice their priorities, needs and concerns. They will remain vulnerable, invisible, marginalised and poor.

While the situation of markets and informal traders in Wewak is the similar across PNG and Melanesia, the country is unique in having legislation intended to promote and protect the Informal Economy (The Informal Economy Development and Control Act 2009). This IE Act provides an opportunity to return to the core principles of PNG’s Constitution, protecting the rights of the urban poor and the rural population alike. However, the PNG government has a poor track record in prioritizing, planning budgeting and delivering on social development, so implementation of the IE Act has been extremely slow. Most vendors know nothing about it.

Founded in 1999, HELP Resources (HELP-R) is currently led by a younger generation of development workers working in an extremely challenging development context. HELP’s mission is to work with local government and civil society to deliver more effectively on laws, policies and strategies for social protection and development. Focus areas are promotion and protection of women and children’s rights, community-based access to information and education, documentation and promotion of endangered material knowledge, and development and protection of the informal economy.

Jill Bosro, Manager of HELP Resources, checks in with a vendor at the town market.  Photo: HELP Resources.

Pacific Peoples’ Partnership and HELP Resources Team Up

In 2017 Pacific Peoples’ Partnership (PPP) and HELP-R planned a pilot project to demonstrate effective, district-level implementation of the IE Act, and associated government policy and strategy. The pilot project aims to facilitate education, information and training that will motivate and support emerging vendors organisations and their leaders to find their collective voice and influence planning, budgeting for effective Development.

Staff and associates of both PPP and HELP-R have previously worked together to facilitate PPP links with Sepik artists. HELP-R is based in Wewak, the provincial capital of the East Sepik Province, the gateway to the Sepik River, where PPP has well-established links with women and men carvers, weavers and painters. HELP-R has facilitated the communication and cooperation links between PPP and remote communities on the river and most recently has enabled one village to set up safe water supplies. However, the ‘Vendors Voice’ partnership is a new and exciting joint venture to realize a transformative process conceptualized and drafted by HELP-R.

The project is about making vendors aware of the PNG Constitution, the IE Act, and PNG’s commitments to global human rights and gender equality norms and standards and sustainable and inclusive development. It is about engaging vendors in participatory research to become more aware of the injustice of their ‘working conditions’ and the current governance of markets and street trade. The project aims to strengthen women vendors’ organisation, leadership, confidence and capacity to advocate for change and shape informal economy development as it was envisaged in the constitution and in the new IE law. On the supply side, the project will also contribute to the gender and rights awareness and sensitization of local government leaders and administrators, so that constructive engagement of vendors with local government is possible and effective.

The Commonwealth Foundation (CF) is the Commonwealth’s agency for civil society, supporting participation in democracy and development. It supports ‘civic voices’ to act together and influence the institutions that shape people’s lives. The Foundation works to promote peaceful and inclusive societies for sustainable development with effective, accountable and inclusive institutions at all levels of participatory governance, which implies creative and constructive engagement between civil society and other governance stakeholders. CF awards funding for sustainable development projects that contribute to effective, responsive and accountable governance with civil society participation.

In early 2017, HELP-R prepared a project proposal to submit to the Commonwealth Foundation and PPP agreed to act as the fiscal agent, assisting with the monitoring of project implementation, preparation of annual narrative and financial reports. HELP Resources is the lead NGO in frontline project implementation and is engaging and working alongside several other local NGOs.

In 2017 CF awarded a grant for the Vendors’ Voice 3-year project which aims to support women market vendors and street traders to negotiate for decent work conditions and fairer and transparent informal economy development and governance. The project supports women vendors and informal street traders to achieve this through effective organisation, mobilization and empowerment to raise their ‘Collective Voice’ and shape the application of the Informal Economy Act to market and street trade planning, budgeting, governance and development. Constructive Dialogue between vendors and local government and the development of participatory governance structures, mechanisms and processes for market and informal economy development, are at the heart of the project. Recognition of informal trading as legitimate ‘work’ that is the backbone of the local economy, ensuring a decent and safe workplace for women vendors – free from violence and exploitation – bring important anticipated results.

Sago and coconut sticks are favourite snacks in Sepik region.  Photo: Jill Bosro

Year 2 Builds on New Evidence and Opportunities

Year One of the project was completed in September 2018 laying the foundation for targeted training of women market and street vendors and local government leaders and administrators. From August to November 2018, HELP-R established a daily presence at the market, working through selected vendors to conduct daily tallies while also logging common daily problems. Hundreds of vendors were consulted and provided information at a booth operated daily at the market. Operated by HELP-R and other local civil society partners, the booth provided preliminary information about the project and its focus on good governance, rights and responsibilities in the working context of market and street trading. Information was offered, mainly through public talks at the main market, as well as through several local radio programs.

In October 2018 HELP-R with a team of vendors and local community development leaders, completed a baseline survey across Wewak’s only government-managed market and twelve more informal markets.

In a new development at the start of Year 2, PNG’s national government decided to include the East Sepik Province in a National Audit of the Informal Economy and UN Women announced that it will launch a market-based project in another rural district of East Sepik Province. In addition to the government statistical audits and the UN’s large-scale project scoping, HELP-R’s more in-depth qualitative baseline survey brings a strong gender analysis and rights framework that will inform and complement these new efforts to roll out government informal economy policy. In Year 2, HELP-R will focus more on women vendors ‘education and organisation for constructive engagement with local government, based on its comparative advantage in working with women vendors, informing and educating them through a range of popular education strategies and tools.

 Inside the craft hall of Wewak town market.  Photo: Jill Bosro

Once tested and refined in Wewak, it is likely that the knowledge, tools and trainers resulting from the project can be replicated to serve women vendors in other districts of the East Sepik Province and other provinces of PNG. This will be a significant contribution to translating PNG’s Informal Economy law, policy and strategy into reality, and to making the daily trading by women visible and valued.

You may also visit, ‘Like’ and ‘Follow’ the HELP Resources Facebook page, Sepik Market Vendors and Informal Traders.  Results of the baseline survey and project progress achievements will be uploaded on this site throughout 2019.

 

Elizabeth (Sabet) Cox  (email: sabetcox.png@gmail.com) has lived and worked in the East Sepik Province of PNG for 4 decades, in various sectors of social development. She founded HELP Resources with a group of Sepik activists in 1999, and later went on to work with the PNG Government and the United Nations. As Pacific Regional Director of UN Women, she designed projects to improve the status and conditions of women vendors and the governance of municipal markets across Melanesia. Elizabeth continues to provide technical support to HELP-R and several women’s rights and rural development organisations in the Highlands of PNG.

Filed Under: Arts & Culture, Gender and Women, Justice & Equality

2018 One Wave Gathering!

August 9, 2018 by Pacific Peoples' Partnership

Pacific Peoples’ Partnership is proud to announce our 11th annual One Wave Gathering! Beginning September 1st with the opening of MediaNet’s new Flux Gallery, we present our digital media installation: The Longhouse Legacy Exhibition.​ In tribute to The Longhouse Project and last year’s anniversary event, the impressionistic digital collage will be projected in the shape of a cedar house front. Opening night will also welcome representatives of Vaka Taumako, to premiere the Polynesian wayfinding documentary ​We, the Voyagers.​ Throughout September, the gallery will run a variety of North and South Pacific documentary screenings, interviews, as well as Indigenous scholar, artist, and youth presentations.

The exhibition and documentary showings will lead up to our signature One Wave Gathering celebration at Centennial Square on September 15th a free event from 12:00-6:00 pm. Program highlights include North and South Pacific presentations, art, food, as well as opportunities to explore social and environmental causes pertinent to the region. Join us for a day of dance, song, and celebration; You can enjoy some authentic indigenous cuisine with the Songhees Seafood and Steam food truck, and browse the village of local artisans, artists, and NGOs working on Pacific issues.

We Welcome your participation – get involved as an NGO, Vendor, or Artist! One Wave Gathering 2018 will include a showcase of NGOs and vendors whose mission aligns with our own. This includes (but is not limited to) social and environmental organizations, Indigenous and youth artists, and vendors that use recycled, eco-friendly, locally made or locally sourced materials. New and returning artists and organizations interested in taking part can fill out our Google form.

We gratefully accept sponsorship and participation from local businesses, organizations and groups, including volunteers! For more information you can check out our website or facebook page, and contact our program coordinator:                                                                       
Dana Johnson
Program Coordinator
dana@archive.pacificpeoplespartnership.org

 

Fill out our Volunteer Form before August 27th if you are interested in being a part of the 11th annual One Wave Gathering. All volunteers will receive training on how to hold the space in a way consistent with the values of the area.

 

We are grateful to the Songhees and Esquimalt Nations, One Wave Gathering is held on Lekwungen territory, and made possible with the consent and consultations by hereditary and elected leaders, elders, youth, artists and community members. We thank the dedication of our partner MediaNet, and community partners.

Filed Under: Arts & Culture, Climate Change, First Nations, Partners & Sponsors, South Pacific, Staff & Volunteers

Pearls of the South Pacific Polynesian Luau on 26 May 2018

April 8, 2018 by Pacific Peoples' Partnership

 

 

Pearls of the South Pacific Polynesian Luau on 26 May 2018

Pearls of the South Pacific (PSP) dancers reflect different island heritages such as Samoa, Rotuma, New Zealand Maori, Fiji, Hawaii, and Tonga as well as Canada. Many of the young dancers are second generation islanders born in Canada with the desire to learn and pass on their culture’s stories and dances. Whether as part of the audience or as a participant, the PSP performances clearly resonate with their colorful dances, costumes and melodies represented in a variety of dances from the islands.

Based in Victoria, PSP is a Polynesian multicultural dance group started in 1997 by Muavae Va’a after he moved to British Columbia from the island of Samoa. “I have had the privilege to work and dance with many youth as they grew up within the group and also with many who have joined the group as adults.” Today Muavae and two of his children, Tua and Penina, continue to dance with the group that he started.

“Over the years we have shared our dances at many events in Vancouver Island communities and on the B.C. mainland, including Folk Fest Victoria, Greek Fest, One Wave Festival, First Nations Pow-wows and many weddings and family events. Looking forward to our next 20 years, it is our desire is to see this beautiful and unique culture shared with all who are committed to harmony and peace within the multicultural society that we live in.”

Pearls of the South Pacific Fund Raiser
Join PSP for an exciting colorful evening of dances and songs including all the flavours of an authentic Polynesian style feast with a traditional pig roast. As part of the evening, the popular South Pacific band, Tradewinds, will serenade guests with charming music from Western Samoa, New Zealand, Rotuma, Hawai`i and Fiji. Definitely an event for the WHOLE FAMILY!

Money raised on this joyful evening will go toward purchasing materials to create new authentic costumes while continuing PSP’s goal of passing on traditions to the next generations. The group also hopes to create a modest travel fund that will allow it to accept invitations for the first time to perform at some events and festivals a little farther from home.

Where: 7728 Tetayut Rd, Saanichton, BC at the Tswout First Nations Gymnasium.

Date and Time: Saturday, 26 May 2018. Doors open at 4 p.m.; Feast Served at 5 p.m.; Entertainment at 6:30 p.m.

Ticket Prices: Adult = $35 (18 years and up); Seniors = $25 (65+); Students = $25 (13 to 17 years)

Tickets Available: Eventbrite  or Alcheringa Gallery, 621 Fort St, Victoria. Tel: 250-383-8224.

 

Filed Under: Arts & Culture, First Nations, Partners & Sponsors, South Pacific

10th Annual One Wave Gathering

November 21, 2017 by Pacific Peoples' Partnership

By all measures, the 2017 One Wave Gathering was a resounding success. All participants, be they local, Nuu-chah-nulth, Kwakwaka’wakw or South Pacific Islanders, were extremely pleased with the participatory, inclusive and educational proceedings. A number of elders were moved to tears and speechlessness by the unprecedented and historical importance of this event.

– April Ingham, Executive Director of Pacific Peoples’ Partnership

As an annual event hosted by PPP, One Wave has celebrated international Pacific community, arts and culture in Victoria, British Columbia since 2008. In 2017, motivated by ongoing steps towards First Nations reconciliation and global Indigenous movements, PPP presented an enriched and expanded One Wave Gathering.

This year’s theme, “healing through celebration,” permeated every aspect of the event creating a supportive village atmosphere while celebrating and honouring all those in attendance.

To all that have made this vision a reality: hay’sxʷqa. Read our full acknowledgement here.

The Longhouse Project saw the raising of four longhouse structures designed by youth artists on the BC Legislature lawn.

This event was unprecedented: a gathering of many communities from across the North and South Pacific. Guided by their unique customs, protocols and histories, they came together on the British Columbia Legislature lawns as a village. Through this Gathering, thousands of members of the Victoria public, including political leaders from various levels of government, had the opportunity to build meaningful relationships with one another in authentic spaces.

Thanks to the BC Legislature invitation for the Gathering to use the lawns overlooking Victoria’s Inner Harbour, it was the first time in many generations that four longhouses stood on this former traditional Lekwungen village site.

One of four longhouse structures raised at the BC Legislature.

This year, One Wave Gathering was marked by a unique symbolic installation: the Longhouse Project. Under the direction of Nuu-chah-nulth artist Hjalmer Wenstob, and with the active support of the BC Legislature, four First Nations and Maori youth were selected to design art for the façades of the temporary longhouses. The houses were created in the styles of the Coast Salish, Kwakwaka’wakw, Nuu-chah-nulth, and South Pacific Islands respectively. Inside each longhouse, community members from each area had full rein in creating welcoming and educational interactive spaces for the public throughout the day.

Longhouse designs were created by Sarah Jim (Coast Salish), A.J. Boersen (Nuu-chah-nulth), Juliana Speier (Kwak’waka’wakw), Jazzlyn Markowsky (Maori) and a phenomenal dance curtain, later gifted to Songhees and Esquimalt Nations, was created by James Goldsmith-Brown (Esquimalt Nation). The journey of youth, participating artists and community members who produced and programmed within the longhouses was captured in a documentary to be showcased at PPP’s upcoming AGM and Holiday Feast on December 10.

What we wanted to do was bring people into our homes, truly and honestly do it. Bring people into our homes and share. Share a meal, conversation and story, and learn a little bit about each other and the history and how we can move forward together.

– Hjalmer Wenstob (Lead Artist, Nuu-chah-nulth)

Esquimalt Nation Chief Andy Thomas addressing the One Wave crowd

Hosted on Lekwungen territory, the Gathering’s organizers worked respectfully with Songhees and Esquimalt Nations to ensure the event was meaningful to both Nations. This led to a second unprecedented aspect of One Wave Gathering: all materials and signage on site were produced in both English and Lekwungen.

Chief Ron Sam of Songhees Nation, Chief Andy Thomas of Esquimalt Nation and Joan Morris of Songhees Nation opened the event by speaking to the Indigenous history of the Inner Harbour area, including customary place-names and sites of significance. They also spoke about the impact of colonization on the area.

South Pacific community delegation before conducting protocol with local First Nations

Two Lekwungen dance groups (Lekwungen Dancers & Esquimalt Singers and Dancers), two Polynesian dance groups (Pearls of the South Pacific and Tusitala Polynesian Dancers), one Kwak’waka’wakw dance group (Kwakiutl Dancers) and one Nuu-chah-nulth dance group (Ahousaht Dance Group) presented on the main stage. The dance presentations ended with a participatory dance for all the public led by the Kwakiutl Dance Group.

A big part for me was that everyone came together and that we all celebrated as one race, the human race; I hope that eventually more and more people come each year and that soon racism and stereotypes end for everyone. 

– A.J. Boersen (Nuu-chah-nulth), Longhouse Project Youth

During the day, the City of Victoria’s Indigenous artist-in-residence Lindsay Delaronde facilitated a corn-husk doll-making activity with public participation, and partnered with Tlingit artist Nahaan to produce a theatre piece called Remembering. Nuu-chah-nulth elder Moy Sutherland Sr. guided the public in games of slahal, a traditional bone game that in years past was an important fixture of the local economy.

At the end of the day, Pacific Peoples’ Partnership was pleased to partner with the Moose Hide Campaign for a public feast featuring both local and international foods.

All on-site signage was translated into Lekwungen.

One Wave 2017 was an outstanding program with a wide range of community impacts, and we are still actively consulting the community around how to move the program forward. Were you at One Wave Gathering, and do you have an idea to share? We would love to hear from you.

Feel free to email deputy@archive.pacificpeoplespartnership.org with your comments and feedback, or get involved next year!

View more photos in our Facebook album.

Please donate today so that we can continue to produce One Wave Gathering.

Filed Under: Arts & Culture, First Nations, Knowledge Exchange, South Pacific Tagged With: culture, first nations, indigenous knowledge, indigenous peoples, knowledge exchange, one wave, one wave gathering, south pacific

  • « Previous Page
  • 1
  • 2
  • 3
We rely on the generosity of people like you for our work across the Pacific. Consider giving today to support our Pacific Resilience COVID Response!

Donate Now Through CanadaHelps.org!

Pasifik Currents Newsletter

Stay informed with Pasifik Currents , your vital link to Pacific news and views, Indigenous resurgence, and local events!

Donate your air miles to us on Aeroplan so we can fly out more guests from the South Pacific and other areas of Canada to attend Red Tide. Your generous donation will help us provide an educational experience for youth who want to learn about climate change and the environment.

Click the donate button, and you can make a difference in a child’s life.

https://beyondmiles.aeroplan.com/charity/477

Connect With Us

Pacific Peoples' Partnership
#407 620 View St., Victoria BC
Canada V8W 1J6

We want to hear from you!

Contact Information

Join Us On Social Media

  • Facebook
  • Instagram
  • Twitter
  • YouTube

About Us

For 45 years, Pacific Peoples’ Partnership has supported the aspirations of South Pacific Islanders and Indigenous peoples for peace, environmental sustainability, social justice and community development.

Read More

 

Pasifik Currents: Latest Posts

  • Executive Message: March 2021
  • Celebrating Women Across the South Pacific
  • Stories of Resilience Update

Copyright © 2025 · Enterprise Pro Theme on Genesis Framework · WordPress · Log in